Fabric：13 oz COTTON 100% Details：Grepper ZIPPER PROUDLY DESIGNED and MADE IN JAPAN
We've reproducted a pair of jeans in reference to the one from the late 60's, the icon of which was the orange tab on the back pocket. As much respect to the original, we've made realized the following details.
Original orange tab, 7 belt loops,the seaming width for the lapping seam of 9/32 inch, the three-folded opening for the front pockets, the chain stitching on the back of the coin pocket and of the back pockets, and the triangle shaped stitches on the bottom corners of the back pockets by two-needle sewing.
The fabric is made of the cotton from the US, woven in the heritage way, leading to natural slubbiness. We've also paid a close attention to the dyeing. For this fabric, we've reproduced the slightly lighter indigo blue often seen in 60's without the singeing. The dyestuff does not include any sulfur ingredients so hat it's pure natural indigo dyed to perfectly reproduce the color from the days back then.
The fabric is woven with a little tention applied by vintage looms so that the surface looks bumpy here and there with much character.
*The measurements are based on CM / after-wash size, measured when laid flat.
Fabric：Approx.13.5oz Zimbabwe Cotton 100% Details：Hand-made paper patch Threads：Sewing thread 100% cotton (Thread Color:4 different/ Yarn count: 5 kinds) Proudly Designed and Made In Kojima, JAPAN
Our most popular model : TCB 50's Jeans made in reverence of 50's vintage with the paper patch and we have modified the shape to a slimmer with a lower rise for those who prefer tight fit but want to enjoy the real vintage fades as much.
We've carefully studied a vintage piece TCB owns to every single detail from the shape to the yarn count for each seams. The fabric used is 13.5 OZ, made of Zimbabwe cotton. It has the natural unevenness such as unstable thread thickness and irregular tense on the fabric made by a vintage loom, not by the main stream methods of the computer regulation.
The fades start showing as white dots appearing in the beginning and then each dots will get connected together. As a result, it will show so beautiful vertical fades like the authentic vintage pieces.
When attaching the hidden rivets on the back pockets, we've adopted the most durable method out of many ways to do it. The paper patch is all sewn by hands. At around the timing when the fades start to look great, the patch starts to be torn apart, showing the dark blue from the inside.
As for the commitment to the reproducibility of the sewing methods, we payed the closest attention to it as the sewing factory from Kojima, Japan. We've picked up 4 different colors and 5 different yarn counts for the sewing yarns. The sewing width differs depending on where, of course we picked them up carefully. True to the vintage piece, including the setting and the adjustment of the vintage sewing machines.
When you look at the seams on the pocket bags, they used to be roughly sewn. To this sort of negative points, we did the same rough sewing on the pocket bags whilst keeping the durability there. So many hidden commitments here and there to be found as you wear and love this jeans.
Fabric：Approx.13.5oz Zimbabwe Cotton 100% Details：TCB Cats deer skin patch Threads：Sewing thread 100% cotton (Thread Color:4 different/ Yarn count: 5 kinds) Proudly Designed and Made In Kojima, JAPAN
Our most popular model : TCB 50’s Slim Jeans made in reverence of 50's vintage with the paper patch and based on our flagship model, we have modified the shape to a slimmer, more tapered and with a moderate rise & back rise.
This is TCB’s first ‘tight’ fit model, made of the TCB exclusive fabric with the same sewing methods.
Some people might say TCB is not a brand for slim and modern shaped jeans.Yes, we know it.But it’s a sort of localization we tried this time just like japanese cars modified to left handle when they are imported overseas.
It’s just that you can select the best fit for you from this flagship model of TCB. The fabric used is 13.5 OZ, made of Zimbabwe cotton. It has the natural unevenness such as unstable thread thickness and irregular tense on the fabric made by a vintage loom, not by the main stream methods of the computer regulation.
