JACKETS

Crafted in limited quantities, these jacket are meticulously hand-dyed by skilled artisans using natural indigo and akane (red madder). The thicker yarn used in the hand-dyeing process results in a distinctive, uneven texture, setting this denim apart from the standard 15oz varieties.

The "Hinode-Awa Shoai" series draws inspiration from Japan’s rich heritage of colors, evoking a sense of warmth, familiarity, and deep comfort. To mark their 45th anniversary, Studio D'Artisan has created denim that embodies the spirit of "Japanese colors," combining indigo and madder red dyes. The natural indigo is applied through the traditional "Awa-Sei Aizome" method, requiring approximately 30 wash cycles to achieve a rich, harmonious shade. This process highlights the living quality of indigo, which deepens and transforms with time and wear.

The weft is dyed with plant-based akane (茜) or red madder, a dye that has been part of Japan’s history for centuries, even appearing on the national flag during the Meiji era. The deep indigo created by the "Awa-Shoai Aizome" method blends seamlessly with the rich red madder, producing a fabric reminiscent of noble attire from Japan’s past.

• Crafted from 100% cotton, this 15oz unsanforized Japanese selvedge denim jacket is hand-dyed using natural indigo for the warp and akane (red madder) for the weft. It comes in a one-wash version, ensuring no shrinkage.
  
• The denim has an ultra slubby, hairy texture, created by a low-tension weave.
• Hand-dyed in Tokushima using traditional methods, the denim showcases a striking red selvedge line.
  
• Pocket bags feature original "45th anniversary" artwork, commemorating the milestone.
• Limited in quantity, each pair includes a custom 45th Anniversary bandana.
• Made in Japan

Inspired by late 1940s sport jackets and reinterpreted with a refined Italian flair, the "Varenne" Black Horsehide jacket is a genuine creation crafted from chrome-tanned, drum-dyed, full-grain horsehide sourced from Vicenza, Italy. It features an elegant "Espresso Coffee" color viscose lining and a removable fur collar made from Italian shearling sheepskin.

The full-grain horsehide used for the Varenne jacket is a first-grade material known for its rich character and depth. Over time, the leather develops beautiful fades, creases, and a distinctive patina, enhancing its appeal. With a thickness of approximately 1.1 mm, the Varenne jacket stands out as a high-end, premium piece. The natural horsehide from Vicenza carries its own unique qualities, where slight differences in texture, grain, and color tone, as well as minor scratches, are marks of authenticity rather than imperfections.

The jacket’s antique brass zippers, engraved with detailed markings, add a vintage touch to its design.

Carefully crafted with attention to every detail, the Varenne jacket is an exceptional handmade piece, embodying the highest standards of Italian craftsmanship. Designed with bikers, rockers, and gentlemen in mind, it merges timeless style with rugged durability.

Named after the legendary Italian racehorse "Varenne," widely regarded as the greatest racer of all time, this jacket is a tribute to excellence.

Any variations in color, texture, or grain should be appreciated as unique elements of this artisanal, one-of-a-kind creation. Every jacket is a “1 of 1 piece,” made exclusively for the wearer.

Each Varenne jacket is presented in a premium organic cotton bag, tied with Havana rope and stamped with a screen-printed logo.

Inspired by the early 1930s varsity jackets worn by Ivy League students and car club members, the "Varsity" Wool Jacket has been reimagined with an elegant Italian touch. This authentic piece is crafted from 24 oz Melton wool and features vegetable-tanned lambskin leather sleeves sourced from Tuscany, Italy.

Originally, varsity jackets were symbols of pride worn by college students, athletes, and car enthusiasts. This version stays true to that heritage, using premium Melton wool from Tuscany, made of 90% wool and 10% cashmere, for a refined and durable feel.

The jacket's sleeves are constructed from vegetable-tanned lambskin, a rare and exceptional material that ages beautifully. Over time, the leather develops unique characteristics, with the natural tannins imparting warmer tones that deepen with use, adding a personal touch to the garment.

The interior is lined with diamond-stitched viscose in a striking red color, ensuring both style and comfort. Every detail of the "Varsity" jacket has been carefully considered, resulting in a rare, handcrafted garment that embodies authentic Italian craftsmanship.

Designed with bikers, rockers, and gentlemen in mind, this jacket is a testament to timeless style. Any variations in color, texture, or grain are not defects but rather marks of its artisanal quality.

Each jacket is a one-of-a-kind piece, exclusively tailored for its wearer. Handcrafted with pride in Italy, it comes in a high-quality organic cotton bag, laced with Havana rope and featuring a screen-printed logo.

Inspired by 1960s cowboy jackets and reimagined with a distinctive Italian flair, the "Bivacco" Western Down Jacket embodies an authentic creation crafted from recycled materials. It is made from 80% recycled goose down and 20% feather sourced from Tuscany, Italy. The jacket features a classic western yoke, meticulously constructed from Front Quarter Pull-up Horsehide by Charles F. Stead, one of the UK's oldest tanneries, established in the 1890s in Leeds.

The outer layer is composed of 100% recycled Ecopath® polyester, originating from Prato, Italy, which is both waterproof and breathable. Combined with responsibly-sourced recycled goose down, the "Bivacco" jacket ensures exceptional warmth and protection, even in the harshest wet and cold conditions.

The recycled goose down from Tuscany is certified by the Global Recycle Standard (GRS), which verifies the recycled content and guarantees responsible social, environmental, and chemical practices during production. Additionally, the down is traceable and certified under the Responsible Down Standard (RDS), and processed in Bluesign®-approved facilities.

The recycled Ecopath® polyester from Prato is produced using discarded knitwear, clothing remnants, and fabric clippings. These are sorted by color, cut into small pieces, and then processed through an advanced ecological recycling method that regenerates the fibers. The fabric retains its natural coloration, with dyeing performed using environmentally friendly methods.

Charles F. Stead’s Front Quarter Pull-up Horsehide is crafted from selected European full-grain horse hides, tanned using traditional techniques and finished with a blend of classic pull-up waxes. This process results in a pure-aniline leather with a rich, distinctive character.

Attention to detail defines this handcrafted piece, made in Italy. Any imperfections or variations in color, texture, or grain are not flaws but unique features of an artisanal, high-quality product.

Each jacket is a one-of-a-kind creation, delivered in a premium organic cotton bag, adorned with a Havana rope tie and a screen-printed logo. Free worldwide shipping is included with every purchase.

Shortly after the end of World War II, American soldiers stationed at the Yokosuka US military base in Japan sought unique ways to commemorate their service. They found a local tailor shop that specialized in intricate embroidery and began ordering custom items featuring oriental patterns along with the emblems of their respective units and bases. These embroidered pieces served as cherished mementos of their time and experiences in Japan.

One particularly notable creation from this era is a special jacket that has become a symbol of both cultural fusion and military history. The front side of the jacket boasts an exquisite embroidered illustration of the Seven Lucky Gods, which is part of an ambitious project celebrating the 45th anniversary of this tradition. This dynamic design captures the essence of Japanese folklore and artistry, making it a standout piece.

The back side of the jacket features a vintage tour jacket motif, highlighted by a retro-style dragon. This dragon design, with its rich, nostalgic aesthetic, gives the jacket a timeless, vintage feel that appeals to both collectors and fashion enthusiasts. The combination of these elements not only honors the history and heritage of the post-war period but also marks the 45th anniversary with a unique and special design that continues to be celebrated.

Introducing "Billiken-san," the symbolic deity of Osaka. This project is a collaboration between the Osaka-based brand "D'Artisan" and the iconic Billiken-san.

After World War II, American soldiers stationed at the Yokosuka US military base in Japan ordered embroidered souvenirs with oriental patterns, unit emblems, and base insignias from a local tailor shop. This practice is believed to have given rise to the "Sukajan" jacket.

The front of the jacket features a "NEW WORLD" tourism design with Billiken-san as the centerpiece, capturing the lively streets of Osaka along with its famous delicacies like takoyaki and kushikatsu. The back showcases a detailed OSAKA MAP, highlighting beloved symbols of the city such as Billiken, manzai comedy, and the spirited obachan (aunties).

This denim jacket represents the classic 1st type style, crafted from the renowned 900 series 14oz right twill selvedge denim, famously known as G3 denim. G3 denim is woven using Japan's historic G3 power loom, a legendary piece of machinery with a legacy spanning over half a century. The fabric is meticulously woven through a technique called "darashi weaving," which involves manual adjustments to capture the distinctive unevenness and ruggedness characteristic of traditional workwear. By loosening the warp threads' tension, the fabric attains a rugged aesthetic reminiscent of vintage wear.

Drawing inspiration from the timeless 1st type denim jacket, Studio D'Artisan designed a silhouette that balances authenticity with modern wearability. This jacket features faithful reproductions of vintage details, ensuring a timeless appeal. Crafted to withstand the test of time, it pairs seamlessly with jeans, destined to become a wardrobe staple for years to come.

• 100% Cotton
• Made In Japan
• Custom Leather Pathch
• Buttons Selvedge Id
• Engraved Custom Buttons
• 14oz 
• One Washed 

New color/fabric added to TCB Cathartt Chore Coat family!In history, Carhartt had a very unique heart-shaped stripe wabash and TCB's mixed it with a cat humor, making it Paw Stripe Wabash! It looks classic wabash but if you have a closer look at it, there still you find more cuteness!

This time, TCB asked Sanyo Senko, which is located in my hometown, Fukuyama city in Hiroshima prefecture, to make this custom-made wabash fabric. When I was young, I often visited an amusement arcade near the factory but I had no clue at all that there was such a company who had the unique printing/discharging facility.

There are very few factories in Japan who can do indigo post-dye onto rolls of fabric, discharge the indigo in arbitrary shape, and finally print a beige dyeing onto the discharged parts. That's basically the process of how TCB make wabash fabrics.

TCB  made a heart-shaped mold for this fabric and followed the procedure above. If you are familiar with vintage wabash fabrics, you might know that the outlines of each wabash pattern are often somewhat blurred. That's because the more you produce, the more deteriorated the mold itself gets so in the end we will need to replace the mold with a new one. But, they thought if each heart/paw shape was really clear and obvious, it might come across as too flashy to wear so we've intentionally made the mold to be a bit age deteriorated to have blurred heart-shapes like the ones you see on vintage fabrics.

This fabric might strike you as a bit cheapskate? but after studying each procedure of making a wabash fabric in person, it occured  that this might have been the reason why Stifel stopped producing wabash fabrics. It takes much time, much effort, and much cost to make them!

Nevertheless, I can't help appreciating Sanyosenko who went all the way to make our custom-made wabash fabric in the exact same process as how vintage fabrics used to be made. Also, speaking of any Stifel fabric, you may wonder if the unique back print is still there. (There is a boot-shaped print with the "Stifel" letter in it on the backside of Stifel fabric). It of course makes its cost a bit more expensive but I had no choice but to have our back print to make it a purrfect and meowndaful reproduction. 

■Disclaimer 
All the buttons used on this Carhartte Chore Coat are change buttons so that we recommend you take them off before washing. In case of breakage or loss of the buttons, we don't offer the buttons for free of charge.

Model is wearing a jacket that has been washed and worn for a while that's why the blue is different!

• 17oz Bushido Selvedge Denim (D17oz)
• Iron black matsunoki button
• Hinomaru name
• SAMURAI woven name
• WALDES fastener
• One washed
• Made in Japan

• 17oz Bushido selvedge denim
• Indigo tape
• Polyester boa
• SCOVILL fastener
• SAMURAI woven name
• made in Japan

This fabric is made by three different thickness yarn to have a vintage vertical fading and very unique “structured denim”. Each yarn is very slubby and it gets dipped into the indigo many times using the "rope dying" traditional technique.
Made with mixed Usa and Australian cotton with slightly low-tension weaving, the fabric was then sent out to Italy to get hand sewed by Holy Blue artisans in a small lab in the amazing Venice area. 

• 16oz Japanese Denim
• Brown sulfur dyed 
• Custom made buttons
• Custom made Rivet
• Leather Patch
• Type III cut 
  
• Selvedge Id
  
• Slub denim
  
• Mixed Us and Australian cotton
• One Wash
• 100% Cotton
• Made In Japan/Italy

• 15Oz Sulfide Dyed Black x Heater
• Black Chino Fabric
• Black Hbt Lining
• Iron Made Taiko Buttons
• Nuts Buttons
• Cheese Dyeing
• Fabric 6# Yarn x 6# Yarn
• 100% Cotton
• Made In Japan

Founded in 1997 in Osaka, Samurai is one of the most appreciated denim labels in the world. The name was inspired by the duel of 1612 between Sasaki Kojiro and Miyamoto Musashi, the two swordsmen were bitter rivals at the time.  The duel began with both men on guard as a show of respect for the other’s skill with their own style and technique. In the end, though, there could be only one winner. Musashi had provoked Kojirō to make the first attack. Miyamoto quickly countered and succeeded in breaking Kojirō’s left ribs and puncturing his lungs, eventually killing him.  With such history behind, Samurai Jeans could never go wrong and built a history of its own in the denim world.

This is a classic War Type denim jacket. The buckle is made of bespoke iron, and the pockets are covered with slakes. While reproducing the simple specifications unique to the war, it is finished in a samurai-like detail .
A dish with a rugged silhouette full of vintage feel.

• 17oz Bushido Selvedge Denim
• Various Lines Unusual Slake
• Iron Matsunoki Button
• Copper Coin-Shaped Rivet
• Leather Patch
• Iron Buckle
• One Washed
• 100% Cotton
• Made in Japan

In general, any brands start production at least half a year in advance so that it's normal to design some winter coats/Jackets in summer and vice versa. But if I do say so myself, I'm not that diligent or punctual of a guy. I mean I can't come up with any good ideas for the winter in the scorching summer in Japan. Thinking about any wool fabrics in the summer just makes me sweat a lot but that's what everyone does in the fashion world that TCB also belongs to.

However, lucky me! Because I have my own factory so I usually think about new shorts in July and some jackets or coats in October, which is fair to say that I'm disqualified as a good designer/maker though, but that's been the TCB style since the beginning so it's all good.

(I have to say though that I'm a nuisance for the stockists all over the world since they order based on their seasonal budget... But hope this TCB style of doing things at least gives some good surprises to our stockists.)

But, I've had one thing I haven't been able to make so far.

I've been thinking for long time that I myself want a warmer jacket in Jan or Feb when it gets below 0 even in Kojima but I don't wanna wear any non-cotton jacket, let alone a down jacket. ...I've got it! Why don't we make a wool lined denim jacket!

But in order to make a good quality wool fabric reminiscent of something vintage, it takes at least 3~6 months. In the past 3+ years, I've always had a passion to make them but TCB guys are like men of no plan so we have actually had mentally and physically cold winters.

In 2020, I finally started to kick my own lazy butt and started to find a suitable weaving factory with my vintage wool lined jacket in hands.(too small for me to wear) but in Okayama, there were very few factories who specialize in wool and I had many difficulties in trying to developing top-notch wool fabric here. After all, Okayama is the city for denim, not for wool fabric. 
When I was almost ready for giving up on the wool lined jacket this year again, My old friend, Taichi from XX Development, searched and ran around on behalf of me to find an authentic wool weaving factory with all the vintage machines equipped in Ichinomiya, Aichi, Japan. (the city of TOYOTA)

I asked the grandmaster of the factory when he started his job and he said in a murmur, " Back when we had Isewan Typhoon(1959).

Pic No: 7~

The vintage Schoenherr looms working for 61 years 
I'm more used to the denim shuttle looms in Okayama so I was quite surprised about how slow the shuttles were moving. The moves could be actually caught by my eyes but it is said that the slow speed gives the fabric the feelings very similar to the hand-woven stuff, which made total sense to me.

When deciding the yarn count for the fabric, I discussed it with Taichi and the grandmasters there and we reached the golden blend: two folded yarns for the warps and the triple ply yarns for the wefts both developed exclusively for this wool lining. 

The pitches and the widths of the stripes are totally the same as the vintage and what I also wanted to reproduce was the pinkish color for some true vintage vibes. We had some ready-made pink yarns but they were not up to the quality I wanted so this pink color is also a custom-made color for us.

It's usually a bit time-consuming and laborious to convince the grand masters of anything since they are known to be super professional and in general pretty stubborn about what they do but I was glad to see their smiles when we created the perfect vintage-looking fabric right under our eyes.

It's a bit unusual for TCB to write such a long fabric description(is it even a fabric description...?) but finally, we are ready to open the curtains on this product.

Hope Santa Clause will deliver this warm, lined jacket to you! Stay tuned on TCB!

■Sewing 

Comparing the wool fabrics, the tinge on our fabric look a bit darker but we have counted in the fades on the fabric so when it's worn well the hue will be pretty close to the vintage piece. The pitches and the widths of the stripes are authentically reproduced from the vintage 517XX we own.

For the lap seams, we use our vintage Union Special with the sewing width of 9/32 inch. Speaking of the process of doing the lap seam, we do it separately for the denim and the wool fabric first and then sew them together on the armpits.

If you look at the around-shoulder lap seams on the inner side of the vintage, they are sewn staggered to avoid that the fabrics overlap a lot and get too thick to be sewn. So, we have sewn them in the exact same way as the vintage piece.

The finishing on the cuffs opening was the most difficult part and is quite difficult to explain by writing though but it really gave me a headache.

There is one part to cut on the cuffs of the outer material(denim) and the same principle goes for the inner material(wool) but the wool fabric of the vintage was not cut there so I could finally solve the puzzle to finish the cuffs in the same vintage way.

In addition, I'd like to show you Taichi's comments from XX Development who played a significant roll in creating this wool fabric and who is one of my best friends. Both he and I talk/write a lot but hopefully you can feel the thoughts and the passion we both had for this project.
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■Comments from Taichi below

I think I have reached the answer as to what the reproduction should be.

Because we both have our own factories, this might be the answer we naturally drove ourselves into, I'd say. In our younger days, we both had some longing or passion towards jeans, American cultures, vintages, etc, eventually leading to us having sewing machines, making clothes on our own, and having like-minded guys around us while we had to jump over such hurdles as management and financing.

Speaking of the sewing factories in general, they receive orders and do exactly what they are instructed to do without thinking too deeply about what they are being asked to produce. They do the production solely according to the instruction to earn money, ultimately to make a living.

However in our cases, we also have a passion for what we want to make so we find the time to make our passions form into our brand's line while doing those orders perfectly. But we just do it truly out of our dream or our admiration for vintage style/items so it always gives me a headache thinking about how we are supposed to reproduce this or that, which is also the very fun part of making clothes or the reproduction though. We don't say this aloud to customers or write a lot about all the failures and the mistakes but we always hope you could feel any of the commitment or professionalism behind a product.

Finally, speaking of Mr. Sato, the grandmaster of wool weaving, he's been doing this for 61 years! He even told us he's been living with the vintage Schoenherr weaving machines. Isn't it just amazing? Mistakes happen/happened to anyone and I'm sure he's been through numerous mistakes so far but I think he's already at the level where he can actually talk with the machines. If I do say so myself, we improve by making mistakes. If you keep doing it for 5, 10, 20 years, you'll eventually be able to make good stuff.

When we brought the sample wool fabric to him, the reaction of Mr. Sato was something like " What? is this really what you want to make? "  For him, it must have been the quality he already reached 5 years after he had started the job.  Thinner, lighter, more beautifully woven fabric is the general direction of improvement in the industry. Therefore, it was literally rewinding the clock on the mastered skills for him.  I remember he murmured that he was worried a bit about woven defects due to the way the vintage one was woven... but of course, those blankets do rip if you look at any vintage items.

Mr. Sato himself must be nonchalant when it comes to fashion but his skills are purely authentic backed by the experience and the knowledge accumulated over more than 60 years.

This is a reproduction from the vintage piece that is more than 60 years ago and the reproduced wool fabric is mixed with some cheap cotton to stay true to the vintage, woven with a vintage machine of the same construction as back then and created by a grandmaster of 60 years, which is already a very intriguing story but he also added some improvements to the fabric by using the two folded yarns for the warp to achieve more durability and he also pre-dyed some yarns to make the color more true to the vintage. I felt really grateful fo his consideration and I appreciated that he poured all of his knowledge into what young boys like us passionately wanted to make.

It's just a stupid story but any clothes are made by someone. The fashion sense and trends come and go like the waves and tides and I'm happy to see the new improvements on the sewing works or the pattern making. But at the same time, we both love vintages so we are dedicated to the vintage ways of making clothes but even in these fields we can find new techniques and new improvements, leading to raising the reproductions to the next level. I don't mean to brag about what we've made this time or anything but I'd rather brag more that we could work together with the grand master like Sato-san! I'm more feeling fulfilled and happy because we could make things together with TCB Hajime and the grandmaster, Mr.Sato, not so much because of the quality of what we did or how accurate to the vintage the wool fabric is.
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■Size

The size chart is based on the actual measurements of one washed jackets taken when laid flat.
Model：5'9" (180cm)/ 180lbs (79kg)  Nude chest: 96cm wears size 44.

Other TCB jackets he wears in the similar fit.
New 50's Jacket: 44
30's Jacket: 44
Cat Boy Jacket: 46 

■Tips

The sizing is pretty similar to our New 50's Jacket. If you compare the size charts of the two,  this wool lined jacket measures larger than the new 50's Jacket but the fit will be very similar between the two since the lined ver needs more room to accommodate the lining.

If you plan to wear a sweater or heavy flannel shirt underneath, we suggest you size up!

We've finally made something we had the biggest expectations about.

Fabric：10oz, made of 100% cotton
Details：Custom-made change buttons made of urea resin/ Handworked stencils
Sewing：Cotton yarns

PROUDLY DESGINED and MADE IN JAPAN only by TCB crews.

We've reproduced this trousers referencing the vintage deck jacket from the 40's which TCB owns.
We carefully studied the cut, the sewing threads, its color, and its yarn count to reflect them and also modified the shape to fit into your daily wardrobe.

You can see the details as follows.
・Double-stiched front pockets - In order to survive through the tough duty, the pockets needed to be durable so that they are sewn double stitched.

・TCB exclusive urea buttons- We've made the custom change-buttons for the jacket, made of urea resin. They will age nicely alongside with the jacket as you keep wearing.

・The fabric - it's 10OZ neppy denim with much slubbiness on the surface, woven by vintage looms. The roll of the fabric itself is selvedge but we don't use everyone's favorite selvedge part because that's how the original goes. The warps are pre-dyed grey so that when the pants get some fades, the grey gradually comes out, which look I find fascinating about this fabric. We are TCB so that you can have a high expecting on the puckering fades as well.

・Handworked stencil inside the waist belt

Fabric：10oz, made of 100% cotton
Details：Custom-made change buttons made of urea resin/ Handworked stencils
Sewing：Cotton yarns

PROUDLY DESGINED and MADE IN JAPAN only by TCB crews.

We've reproduced this trousers referencing the vintage deck jacket from the 40's which TCB owns.
We carefully studied the cut, the sewing threads, its color, and its yarn count to reflect them and also modified the shape to fit into your daily wardrobe.

You can see the details as follows.
・Double-stiched front pockets - In order to survive through the tough duty, the pockets needed to be durable so that they are sewn double stitched.

・TCB exclusive urea buttons- We've made the custom change-buttons for the jacket, made of urea resin. They will age nicely alongside with the jacket as you keep wearing.

・The fabric - it's 10OZ neppy denim with much slubbiness on the surface, woven by vintage looms. The roll of the fabric itself is selvedge but we don't use everyone's favorite selvedge part because that's how the original goes. The warps are pre-dyed grey so that when the pants get some fades, the grey gradually comes out, which look I find fascinating about this fabric. We are TCB so that you can have a high expecting on the puckering fades as well.

・Handworked stencil inside the waist belt

It is not a reproduction of a jacket from a specific brand but a jacket loaded with some particular features seen in coveralls in 30's such as asymmetry pockets, chin strap and the location of the facing on the cuffs.

The denim fabrics woven using the 2×1 weave (2 warp threads for every weft thread) looks flat at first sight but as you keep wearing them, it will start to show its roughness and its beautiful fades underneath.

We've selected neppy, grey-colored threads for the warps, which makes the fabric 10 OZ.

Fabric：10oz, made of 100% cotton
Details：Custom-made change buttons made of urea resin/ Handworked stencils
Sewing：Cotton yarns

PROUDLY DESGINED and MADE IN JAPAN only by TCB crews.

We've reproduced this trousers referencing the vintage deck jacket from the 40's which TCB owns.
We carefully studied the cut, the sewing threads, its color, and its yarn count to reflect them and also modified the shape to fit into your daily wardrobe.

You can see the details as follows.
・Double-stiched front pockets - In order to survive through the tough duty, the pockets needed to be durable so that they are sewn double stitched.

・TCB exclusive urea buttons- We've made the custom change-buttons for the jacket, made of urea resin. They will age nicely alongside with the jacket as you keep wearing.

・The fabric - it's 10OZ neppy denim with much slubbiness on the surface, woven by vintage looms. The roll of the fabric itself is selvedge but we don't use everyone's favorite selvedge part because that's how the original goes. The warps are pre-dyed grey so that when the pants get some fades, the grey gradually comes out, which look I find fascinating about this fabric. We are TCB so that you can have a high expecting on the puckering fades as well.

・Handworked stencil inside the waist belt